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	<title>The Urgent Artist &#187; review</title>
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	<link>http://urgentartist.org</link>
	<description>Media, Meta, + Mess from artists who live by their work</description>
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		<title>&#8220;Standing with the Revolutionaries of Dance&#8221;</title>
		<link>http://urgentartist.org/2010/07/standing-with-the-revolutionaries-of-dance/</link>
		<comments>http://urgentartist.org/2010/07/standing-with-the-revolutionaries-of-dance/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 15:09:02 +0000</pubDate>
		<dc:creator>Sarah A.O.</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Upcoming]]></category>
		<category><![CDATA[the AOMC on UA]]></category>
		<category><![CDATA[90 ways to Wake from Drowning]]></category>
		<category><![CDATA[birth]]></category>
		<category><![CDATA[Brian McCormick]]></category>
		<category><![CDATA[context]]></category>
		<category><![CDATA[Gay City News]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://urgentartist.org/?p=535</guid>
		<description><![CDATA[a.k.a. how it feels to be born
Right now is a crazy time.
Imagine having full consciousness while you&#8217;re still in the womb, and knowing that you&#8217;re about to be born.  That&#8217;s kind of what right now, waiting for our premiere to hit, and feeling the first contractions of ticket sales, advertising, and facebook buzz feels like.  [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>UA&#8217;s APAP Challenge:</title>
		<link>http://urgentartist.org/2010/01/uas-apap-challenge/</link>
		<comments>http://urgentartist.org/2010/01/uas-apap-challenge/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 16:09:39 +0000</pubDate>
		<dc:creator>Sarah A.O.</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[APAP]]></category>
		<category><![CDATA[challenge]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://urgentartist.org/?p=331</guid>
		<description><![CDATA[The Results are IN!
APAP&#8217;s finally over and the results are in! Take a look at your one-sentence overviews of the manic week of performance:

The prize for most entries goes to Mary Love Hodges, a lady who clearly holds the key to the secret of time travel, as she sees more work on a regular basis [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Following Techdance:</title>
		<link>http://urgentartist.org/2010/01/following-techdance/</link>
		<comments>http://urgentartist.org/2010/01/following-techdance/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 01:31:55 +0000</pubDate>
		<dc:creator>jon</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[dance criticism]]></category>
		<category><![CDATA[Jon Cooper]]></category>
		<category><![CDATA[Joyce SoHo]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[tap]]></category>

		<guid isPermaLink="false">http://urgentartist.org/?p=294</guid>
		<description><![CDATA[SLIPPAGE Meditates on Monk and Multimedia @ Joyce SoHo

On December 11th, 2009 SLIPPAGE: Performance/Culture/Technology presented a previously conceived but constantly new dance work named Monk&#8217;s Mood: A Performance Meditation on the Life and Music of Thelonious Monk at Joyce SoHo. &#8220;Conceived by and featuring Thomas F. DeFrantz, this solo performance explores tap dance as a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>It&#8217;s 2010&#8230;</title>
		<link>http://urgentartist.org/2010/01/its-2010/</link>
		<comments>http://urgentartist.org/2010/01/its-2010/#comments</comments>
		<pubDate>Sun, 03 Jan 2010 16:58:45 +0000</pubDate>
		<dc:creator>Sarah A.O.</dc:creator>
				<category><![CDATA[Meta and Mess]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[alastair macaulay]]></category>
		<category><![CDATA[anti-ephemeral]]></category>
		<category><![CDATA[dance criticism]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://urgentartist.org/?p=287</guid>
		<description><![CDATA[&#8230; and Alastair&#8217;s at it again.
How many times do we have to declare war on this man before we seriously start calling for his resignation?  Macaulay is flat out not doing his job, and when critics, some of the sole keepers and makers of our community&#8217;s artifacts declare that &#8220;Dance is the art with no [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Being In the Moment with Tere O&#8217;Connor</title>
		<link>http://urgentartist.org/2009/11/being-in-the-moment-with-tere-oconnor/</link>
		<comments>http://urgentartist.org/2009/11/being-in-the-moment-with-tere-oconnor/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 23:01:34 +0000</pubDate>
		<dc:creator>mary</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[dance c]]></category>
		<category><![CDATA[dance criticism]]></category>
		<category><![CDATA[dance theater workshop]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Tere O'Connor]]></category>

		<guid isPermaLink="false">http://urgentartist.org/?p=218</guid>
		<description><![CDATA[Sitting in the audience at the premiere of Tere O’Connor’s Wrought Iron Fog, I had an experience I haven’t had in a while.  I was carried away by a work of pure movement.  It was a wonderful reminder of what dance can be and why I love it.
When it comes to O’Connor’s work, everyone seems [...]]]></description>
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		<slash:comments>1</slash:comments>
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